At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]

"At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]

"At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]