“I had never felt so alone, slight, naked…” Inspired by the novel of the same name by Daniele Finzi Pasca, Nuda, the new creation of the Company is a show full of mystery and amazement, where depths and abysses are in continuous dialogue with a light and luminous world, made up of overlapping planes that interact with each other.
«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca
“I had never felt so alone, slight, naked…” Inspired by the novel of the same name by Daniele Finzi Pasca, Nuda, the new creation of the Company is a show full of mystery and amazement, where depths and abysses are in continuous dialogue with a light and luminous world, made up of overlapping planes that interact with each other.
"At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]
“I had never felt so alone, slight, naked…” Inspired by the novel of the same name by Daniele Finzi Pasca, Nuda, the new creation of the Company is a show full of mystery and amazement, where depths and abysses are in continuous dialogue with a light and luminous world, made up of overlapping planes that interact with each other.
“I had never felt so alone, slight, naked…” Inspired by the novel of the same name by Daniele Finzi Pasca, Nuda, the new creation of the Company is a show full of mystery and amazement, where depths and abysses are in continuous dialogue with a light and luminous world, made up of overlapping planes that interact with each other.
Emblematic work of Daniele Finzi Pasca, this show was conceived for one single spectator and celebrated its 25th anniversary in 2016. Only one privileged member of the audience, randomly chosen by Daniele, is completely involved in the play, while the others become “voyeurs”. Since its creation in 1991, Daniele Finzi Pasca has performed this show more than 800 times, in several languages around the world.
Emblematic work of Daniele Finzi Pasca, this show was conceived for one single spectator and celebrated its 25th anniversary in 2016. Only one privileged member of the audience, randomly chosen by Daniele, is completely involved in the play, while the others become “voyeurs”. Since its creation in 1991, Daniele Finzi Pasca has performed this show more than 800 times, in several languages around the world.
At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]
At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]
At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]
At the root of all our research that has taken us around the world during the last 38 years is the certainty that there are stories that can heal. The theatre acts like a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis. We’ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal, Ethiopia and Chile and each time we have tried to gather fragments of ancestral wisdom. The fear of the dark, the loss of a family member, the wounds of love produce painful sores that only certain stories can heal. Over the years we have created shows on watermarked paper in which elements of this research were imprinted. Using lightness and adapting ourselves to it we have developed stories where illness and healing have always been present; from “Icaro” to “Così si tirava il destino”, from “Nebbia” to “Donka” to arrive at “Per Te”.I met Pablo many years ago in Mexico and we formed a profound friendship. I took him with me to Canada and he became an integral part of the Company when “I made the new version of “Brutta Canaglia la Solitudine”. In Buenos Aires a few years ago he told me about one of his […]
