Bianco su Bianco is a delicate and intense show that arose from the desire of the main creators of two Olympic ceremonies to return to an artistically intimate and small-scale dimension. It tells the story of Ruggero and Elena, of the young man’s difficult childhood, of the power of friendship that enables him to weather the storm and of the bond, as magical as it is mysterious, that is love, which will sustain them both as they scale one of the highest of mountains.
It is a show where the two performers-actors-acrobats-clowns dialogue with a sophisticated and atmospheric universe made up of lights and sounds: a technology developed for the great forest of light that surmounted the Olympic stadium in Sochi and which, downsized for use in a theatre, becomes a further and impalpable performer in the show. Delicate, crystalline music accompanies the story of life and hope of this entertaining, fantastic and rather surreal couple.
“Helena and Goos move around the stage with lightness and great agility. They elegantly bring forth small details to build tragicomic situations. With their help, we are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surreal universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes.
Our clowning is white as bread flour is, white as the embers of burnt out coal, white as a scratch on the knee after falling off a bicycle. Our clowning is white on white like the angels in Corteo, like the ice chandelier smashed to pieces in Donka, like the closet from which Icaro escapes, like the ball everyone chases under the rain shower in Rain, like the backlit atmosphere in Nebbia, like the peppermints in La Verità.”
Daniele Finzi Pasca, Extract of the word of the Director, 2014
Main festivals over the last year:
Vladivostok (Russia) Primorsky Stage (Mariinsky) – Chekhov International Theatre Festival
Roma – Teatro Vittoria – Romaeuropa Festival ed. 2021- 2022
Tunisi – Théâtre de l’Opéra – Festival International des Journées Théâtrales de Carthage
Islas Canarias – Centro Insular de deportes de Gran Canaria & Teatro Guimera – Mapas Festival
Alicante – Plaza de Toros – Festival Fresca
Daniele Finzi Pasca
Author, Director, Co-creator of lighting, choreographies and Firefly Forest
Julie Hamelin Finzi
Creative director and Producer
Maria Bonzanigo
Composer, Sound designer and Choreographies co-creator
Hugo Gargiulo
Scenographer, Props master and Firefly Forest co-creator
Antonio Vergamini
Executive producer and Creative team member
Giovanna Buzzi
Costume designer
Alexis Bowles
Lighting co-designer and Firefly Forest co-creator
Roberto Vitalini – bashiba.com
Firefly Forest co-creator
Geneviève Dupéré
Assistant Director
Chiqui Barbé
Make-up designer and Project manager
Helena Bittencourt and Goos Meeuwsen
Marzio Picchetti Tour Technical director
Pietro Maspero Technician
Jacopo Baggio Technician
Chiqui Barbé Project manager
Alexis Bowles Technical director
Geneviève Dupéré General stage manager
Amal Meroni Production accountant
Marzio Picchetti Technical co-director, Assistant lighting designer and Firefly Forest co-creator
Nicolò Baggio Lighting technician
Marco Finzi Pasca Lighting technician
Tanja Milosevic Assistant Executive producer
Anna Casari Administrative assistant
Viviana Cangialosi Photographer and Graphic designer
Lorenzo Ortelli Administrative and Accounting consultant
Interns:Lisa Foletti (Set design and technical department) Luana Biadici (Sound and technical department) Camilla Papiri (Communications), Elisa Valenti and Nadia Giacomini (Costumes).
International Development:
Julie Hamelin Finzi International Development
Sarai Gomez Assistant International Development
Laurent Rozencwajg Assistant International Development
Scenography and Props:
Jorge Añon Masks design and making
Matteo Verlicchi Technical designer
Lisa Foletti Assistant
Sound Consultants :
Fabio Lecce and Maxime Lambert
Costume:
Sartoria Slowcostume Costume making
Ambra Schumacher Assistant costume designer
Elisa Stramaccioni Costume electric system creation
Acknowledgments:
Alida Andreoli, Morena Antonini, Isa Altin, Antonella Bonzanigo, Lia Bonzanigo, Rocco Bonzanigo, Rodolfo Canal (Selecta), Gianfranco Helbling, Canton of Ticino, Claudio Chiapparino & Dicastero Eventi City of Lugano, Palestra Excalibur, Stefano Fabio, Juana Gargiulo, Famiglia Garzoni & Gran Hotel Villa Castagnola, Lisa and Mario at Giovani Viaggi, Paul Glass, Roberto Grassi, Mauro Guggia, Ristorante La Veranda, LuganoinScena, Vittorio Maspoli, Elisa Mosle, Lorenzo Ortelli, Fausto Ortelli, Giovanni Pedrazzini, Massimo Pedrazzini, Marcello Peduzzi, Olivier Peyronnaud & Maison de la Culture de Nevers et de la Nièvre, Piazzale Milano, Rolando Picchetti, Fabrizio Pongelli, Pro Helvetia, Guido Santini, Beatriz Sayad, Alessandro Seralvo & Cornercard, Elena Stoll, Rafael Stoll, Saverio Stoll, Lorenzo Stoll, Rocco Talleri, Anita and Walther Sievi, Teatro Sociale Bellinzona – Bellinzona teatro, Cristiana Vanini, Claudio Vitalini, Vanessa Zicari, our families and friends.
International Booking
booking@finzipasca.com
Duration: 90 min. without intermission
Set up: 12 hours
Persons on tour: 4 max.
Genre: theatre and comedy
Public: broad public (starting from 8 years of age)
Creation partners:
Caffè Chicco d’Oro
Cornèrcard
Grand Hotel Villa Castagnola
Fidinam
In co-production with:
Teatro Sociale Bellinzona – Bellinzona Teatro
Maison de la culture de Nevers et de la Nièvre
L’Odyssée – Scène conventionnée de Périgueux
With the support of:
City of Lugano
Cantone Ticino
Pro Helvetia
Ernst Göhner Stiftung
Sintetica – Research Partner
AIL SA