“I dedicated this dream to the angels, who come and visit me at night. To the world of clowns, to which I belong, to the Cathedral of Chartres, which after my mother’s womb, is the second place where I was nurtured. To the pictures that my parents stole to reality, and which I put into movement, to the circuses and to their artists. What I meant to bring forth under the big top is theatre and its peculiar perspective made of overlapping images. I thus asked the acrobats to think as actors would, and to be beautiful and honest, just as beautiful love stories are. I was lucky enough to be surrounded by brilliant creators, with whom I immersed in a common world and a bonding adventure, receiving the full support of a production crew who allowed us to carry on with our dream. I also kept close to the friends from my troupe, Teatro Sunil, with whom I have been seeking beauty and honesty on stage for more than twenty years. To make one’s own funeral does feel good. For a moment, one feels necessary and motivated to keep going on this journey, which is in fact but a […]

«Questa produzione  propone – seguendo la nostra personale forma di narrazione – storie di equilibrio tra tenerezza e nostalgia assurda, un mondo lontano dal reale, ferocemente sereno, una forma di teatro che riflette su se stessa, in cui gli attori utilizzano la scena per entrare in dialogo con il pubblico, dove l’illusione e i trucchi sono sempre rivelati alla fine, dove si ride e si sente eccitato, dove i clown non incarnano la stupidità, ma la fragilità dei eroi perdenti. » Daniele Finzi Pasca