Discover LUZIA, where a waking dream transports you to an imaginary Mexico. Experience a wondrous world that inspires you to explore your senses, enveloped in light and nurtured by rain.
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«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca |
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Discover LUZIA, where a waking dream transports you to an imaginary Mexico. Experience a wondrous world that inspires you to explore your senses, enveloped in light and nurtured by rain. |
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"There is who spends life siting on the station bench, or at the small table in a dock overlooking the river as it passes by. There is who travels and goes places, and who stays waiting for things to change, for something wonderful to happen. It is our friends who think of curing our solitudes, like faithful travelling partners they share our voyages, our long awaitings, our homecomings and our departures. Damned rouge loneliness tells the story of the friendship of Medoro and Vitalizio; two friends born and raised in the same small town, dreaming that things could be different and that a miracle could improve the fate of their small community. Both constantly at the border between a sweet happiness, and a quiet and tragic solitude." Daniele Finzi Pasca |
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« The language of acrobatics, of physical theatre may easily conquer a territory where it is neither night or day, where light doesn’t touch reality but designs it, invents it or reinvents it. The language of the acrobats titillates our unconscious, making us see inner landscapes that appear truer than reality. Dali’s landscapes are set during night or day? The answer: neither, Dali’s images belong to another dimension, the dimension of dreams.» Daniele Finzi Pasca |
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3 events,
« The language of acrobatics, of physical theatre may easily conquer a territory where it is neither night or day, where light doesn’t touch reality but designs it, invents it or reinvents it. The language of the acrobats titillates our unconscious, making us see inner landscapes that appear truer than reality. Dali’s landscapes are set during night or day? The answer: neither, Dali’s images belong to another dimension, the dimension of dreams.» Daniele Finzi Pasca |
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3 events,
«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca |
3 events,
«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca |
3 events,
«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca |
3 events,
«We are creating a new show that plays –in keeping with our very own approach to storytelling– on the balance between a sweet and nostalgic form of absurd. Regardless of the simplicity and bareness of the theatrical apparatus, ours is a surrealist universe, somehow fiercely serene, a self-reflecting form of theatre, where actors use the proscenium to engage in a dialogue with the audience, where illusion and tricks are always disclosed at the end, where we laugh and are moved, where the clowns do not play the fools, but rather embody the frailness of losing heroes. »Daniele Finzi Pasca |