“At the root of all our research that has taken us around the world during the last\u00a038 years is the certainty that there are stories that can heal. The theatre acts like\u00a0a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis.\u00a0We\u2019ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal,\u00a0Ethiopia and Chile and each time we have tried to gather fragments of ancestral\u00a0wisdom. The fear of the dark, the loss of a family member, the wounds of love produce\u00a0painful sores that only certain stories can heal. Over the years we have created\u00a0shows on watermarked paper in which elements of this research were imprinted.\u00a0Using lightness and adapting ourselves to it we have developed stories where\u00a0illness and healing have always been present; from \u201cIcaro\u201d to \u201cCos\u00ec si tirava il\u00a0destino\u201d, from \u201cNebbia\u201d to \u201cDonka\u201d to arrive at \u201cPer Te\u201d.I met Pablo many years ago in Mexico and we formed a profound friendship. I took\u00a0him with me to Canada and he became an integral part of the Company when \u201cI\u00a0made the new version of \u201cBrutta Canaglia la Solitudine\u201d. In Buenos Aires a few\u00a0years ago he told me about one of his projects and over the years I have seen it\u00a0develop and grow, marveling at the subtlety of the intent and the poetic nature\u00a0of the result. This new creation will allow us to get back to the roots of our way of thinking\u00a0about theatre made up of closeness with the public, the search for empathy, levity and enchantment. It will also be a way to reflect on all the work done over the\u00a038 years of continuous playful creation.52 is the number of a street that does not exist in the plan imagined by visionary\u00a0urban planners. It\u2019s the reconstruction of a night where a father, doctor and rug-by player is murdered by a group of assassins, is also the description of a method\u00a0that, on one hand, Pablo discovered and, on the other, we and the Company have\u00a0invented to create stories that heal. This project will allow us once more to meet medical and architectural friends;\u00a0with them we will reflect on beauty, anamnesis, cartography, radiography and\u00a0finally the construction of models and maquettes representing dreams and emotions hidden in secret corners and folds\u201d<\/p>\n
Daniele Finzi Pasca<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" “At the root of all our research that has taken us around the world during the last\u00a038 years is the certainty that there are stories that can heal. The theatre acts like\u00a0a medicine, searching for magical architectures and structures where the evo-cation of real or imaginary events produce benefits, pleasure, emotion, catharsis.\u00a0We\u2019ve met shamans in Russia, Mexico, Canada, Peru, Brazil, India, Bolivia, Nepal,\u00a0Ethiopia and Chile and each time we have tried to gather fragments of ancestral\u00a0wisdom. The fear of the dark, the loss of a family member, the wounds of love produce\u00a0painful sores that only certain stories can heal. Over the years we have created\u00a0shows on watermarked paper in which elements of this research were imprinted.\u00a0Using lightness and adapting ourselves to it we have developed stories where\u00a0illness and healing have always been present; from \u201cIcaro\u201d to \u201cCos\u00ec si tirava il\u00a0destino\u201d, from \u201cNebbia\u201d to \u201cDonka\u201d to arrive at \u201cPer Te\u201d.I met Pablo many years ago in Mexico and we formed a profound friendship. I took\u00a0him with me to Canada and he became an integral part of the Company when \u201cI\u00a0made the new version of \u201cBrutta Canaglia la Solitudine\u201d. In Buenos Aires a few\u00a0years ago he told me about one of his […]<\/p>\n","protected":false},"author":56,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-24237","tribe_events","type-tribe_events","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tribe_events\/24237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/users\/56"}],"version-history":[{"count":2,"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tribe_events\/24237\/revisions"}],"predecessor-version":[{"id":24239,"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tribe_events\/24237\/revisions\/24239"}],"wp:attachment":[{"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/media?parent=24237"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tags?post=24237"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/finzipasca.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=24237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}